During the 1950s in Cuba, there was a popular dance \u2013 some called it a craze \u2013 which was danced in the streets, in clubs and in people\u2019s homes. It was called CASINO RUEDA or RUEDA DE CASINO, or simply RUEDA.<\/p>\n
RUEDA means \u201cwheel\u201d. CASINO refers to the kind of turns and pauses that are commonly seen even among those who dance modern-day salsa. The originality of the RUEDA, its uniqueness, lies in the fact that it is danced in a circle, in a \u201cRUOTA\u201d, with a single group of participants rotating round and round, quickly swapping partners and performing other complex figures.<\/p>\n
Every movement, known as a \u201cCALL\u201d, has a name, and it is the responsibility of the \u201cMOTHER\u201d \u2013 as she is known, that is, the LEADER of the RUEDA \u2013 to give the commands, often in rapid succession. Many figures also have hand signals as well as a name, so that the \u201cmother\u201d can give the commands even if there is a lot of noise in the hall and the music is very loud.<\/p>\n
La Rueda can be small, consisting of just two couples, or as large as the venue allows \u2013 even as many as a hundred couples.<\/p>\n
Dancers learn to broaden their goals for development and their outlook, which is sometimes limited to performing standard figures when dancing alone or in a pair. <\/em>With the RUEDA, you learn to coordinate and refine your style and sense of rhythm to perform it to the best of your ability. When everything <\/em>When this happens, it\u2019s truly thrilling! A genuine and unique sense of group harmony develops, to the point where you can feel the whole circle ebb and flow, and \u201cbreathe\u201d to the wonderful Afro-Cuban\/Latin American music. The result is a sensational form of dance, which is fun both to DANCE and to WATCH!<\/em><\/p>\n The many variations of Rueda \u2013 the circular changing of partners \u2013 have their roots in the colonial era; they probably arose from a \u201cmezcla\u201d, a blend of French court dances (brought to Cuba by the people of Haiti) and movements of the AFRO-CUBAN INDIGENOUS PEOPLE!!!<\/p>\n Message reserved for Acsi members <\/strong><\/em><\/u><\/p>\n\n\n <\/p>","protected":false},"excerpt":{"rendered":" Durante gli scorsi anni \u201950 a CUBA esisteva una danza popolare – alcuni la definivano una mania – che era ballata nelle strade, nei clubs e nelle case della gente […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-page-ruedaloca.php","meta":{"footnotes":""},"class_list":["post-1868","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/www.ruedaloca.it\/en\/wp-json\/wp\/v2\/pages\/1868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ruedaloca.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ruedaloca.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ruedaloca.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ruedaloca.it\/en\/wp-json\/wp\/v2\/comments?post=1868"}],"version-history":[{"count":8,"href":"https:\/\/www.ruedaloca.it\/en\/wp-json\/wp\/v2\/pages\/1868\/revisions"}],"predecessor-version":[{"id":1898,"href":"https:\/\/www.ruedaloca.it\/en\/wp-json\/wp\/v2\/pages\/1868\/revisions\/1898"}],"wp:attachment":[{"href":"https:\/\/www.ruedaloca.it\/en\/wp-json\/wp\/v2\/media?parent=1868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}